SUBTONE
This is a particularly soft way of playing, but is a technique in itself rather than just playing quietly. With subtone the saxophone sound has a fatter, more rounded and less edgy sound. Great jazz saxophonists who have used this include Ben Webster, Stan Getz, Johnny Hodges and Paul Desmond
Subtone really comes into it’s own in the very low register, especially when played very breathily, but it often takes a lot of practice to extend the subtone down low. It is also crucial to make sure that your saxophone has no leaks, although I recently read that Ben Webster thought the leaks were an important part of the sound. Hmmm...
Example:Practising subtone
Before attempting subtone, listen carefully to what it sounds like played by the greats, get that sound that you are aiming for into your head before you try it.
- Play a comfortable note in the lower register, e.g. G
- Relax your jaw
- Take slightly less of the mouthpiece in your mouth
Once you are comfortable with subtone on this note, practise the following exercises to extend the range downwards. These use the note G as a starting point, you can vary this upwards to make make the exercises more demanding as you get used doing them. You should play these legato as well as tongued. For a cool jazz ballad try articulating f
instead of the conventional tu
.
